摘要
晚明歌妓景翩翩著有诗集《散花吟》,内容多为其生命情景的真实反映与内心情感的直接表白,渗透着守望爱情、挣脱命运与无力摆脱等复杂情绪,带着女萝般的女性符码和走出风尘的命运诉求。而在艺术上直承南朝"吴声"、"西曲",多民歌体,喜用舞曲,自然流利,婉转天成,富于南朝的古韵清华。
Jing Pian-pian,a geisha of late Ming dynasty,had composed a poem collection "San Hua Yin",which contained her real thoughts and direct confessions about her life scenes,and penetrated with complicated emotions such as watching love,fighting with fate and being unable to escape her destiny.They were marked with woman codes just like climbing plants and stong desires for fleeing prostitution life.As far as artistic technique is concerned,the poems inherited Wusheng songs and Xiqu songs of Nanchao Yuefu,frequently adopting folk and dancing song,with a natural,fluent and mild style.The poems were highly cohesive with the essence of Nan dynasty.
出处
《泉州师范学院学报》
2010年第3期45-49,共5页
Journal of Quanzhou Normal University