摘要
侯麦作为法国"新浪潮"的一分子,《电影手册》的主编,与戈达尔、特吕弗、夏布罗尔等人的名字因为"时代"而划分到了在一起。而他颇为"古典"的美学趣味,又和其他"新浪潮"干将区别开来。也正基于此,侯麦少了些许同时期法国青年电影人的激进,却固执着法国知识分子的中产阶级趣味与优越感,这一"古典"趣味也走向了雕琢。
Eric Hohmer was one of the members of the French "New wave" movement,the editor of "Cahiers du cinema".His name is put together with Jean-luc Godard,Francois Truffaut and Claude Charbrol because of the "era".However,because of his rather "classical" aesthetic perception,he was different from the other go-getters of the "New Wave".That is why Eric Rohmer was less radical than the young cineastes of France at the time whereas he persistently maintained the interest and superiority complex of the middle class of French intellectuals.The "classical" interest went to cut and polish.
出处
《贵州大学学报(艺术版)》
2010年第2期57-60,共4页
Journal of Guizhou University Art Edition
关键词
侯麦
电影地图
人
时空
故事
Eric Rohmer
movie map
time and space
story