摘要
侯麦电影的主要特征是话语,是话语的反思和自我分析性。文章分析空间以及建构空间的镜头语言,试图在话语之外发现侯麦电影潜在的更丰富的表意内容。通过对侯麦电影中两类典型空间"居室与街道"的分析,本文在空间结构和性别关系问题上对侯麦电影中呈现的现代人对内道德的自我规训、对外部世界进行身体感知的特性进行了阐述。
The essential characteristic of Eric Rohmer's movies is discourse,the self-examination and self-analysis of discourse.This paper analyses the space and the lens language of building the space just for the purpose of finding the potential and much richer ideographic contents in his movies.By analyzing "room and street",the two typical spaces in his movies,this paper expatiates the interior self-discipline and the physical sensations of the exterior world of the modern people,considering the space structure and sex relationship in the movies.
出处
《贵州大学学报(艺术版)》
2010年第2期65-68,共4页
Journal of Guizhou University Art Edition
关键词
侯麦
性别
空间
Eric Rohmer
sex
space