摘要
在周立波的《暴风骤雨》中,萧祥是符合解放区主流意识形态要求的一个党员典型,是一个完美的知识分子革命者形象。但从审美的角度来看,萧祥却远离"浑圆",接近"扁形",呈现出"静""硬""同"的审美特征。"党的代言人"萧祥是"作为一种民族战争、革命战争的文艺形态"延安文学的产儿。
Xiaoxiang is a liberated classic image of party member in line with requirements of the mainstream ideology and a perfect image of intellectual revolutionaries.However,Xiaoxiang is far away from"perfect circle"but almost"flat",showing"stand-still","stiffness"and"identity"from the point of aesthetic.As a"spokesperson of the Party",Xiaoxiang is a newborn baby of Yan’an Literature,which is"as an art form of national war and revolutionary war".
出处
《湖南第一师范学院学报》
2010年第3期106-110,共5页
Journal of Hunan First Normal University
关键词
萧祥
《暴风骤雨》
完美
不完美
延安文学
Xiaoxiang
Violent Storm
perfection
imperfection
Yan’an Literature