论斯克里亚宾的晚期音乐理念

On Scriabin Musical Ideas in His Late-Period

19、20世纪之交的俄罗斯作曲家、钢琴家亚历山大.尼古拉耶维奇.斯克里亚宾(Alexan-der Nikolayevich Scriabin,1872～1915)因其音乐独树一帜又对后世有着巨大的影响而在音乐史中占有重要的位置。他晚期的音乐创作,探索了新的旋律语言及和声手法,成为开拓现代音乐的先驱。其创作手法复杂,在旋律、和声、和弦、曲式、调性、调式、节奏、节拍、形式结构及音色组合等多方面不断标新立异,既继承传统又突破了传统。保持着他的"整体艺术"理念和"神秘主义"的观念,思维进入更为深远的境界。

Alexander Nikolayevich Scriabin （1872 - 1915） was a Russian coomposer and pianist, and he may be considered to be the primary fiugre among the Russian Symbolist composers. Scriabin explored the new musical language and very unusual harmonies and textures in the late-period pieces, and he stands as one of the most innovative and most controversial of early modern composers. His writing techniques were very compli- cated, kept on creating new and original ideas on melody, harmony, chords, form, tonality, rhythm, beat, form of structure and timbre combination, he was not carried on the tradition but also breakthrough it. He al- ways held the idea of overall art and concept of mysticism.