摘要
索菲娅.古拜杜丽娜(Sofia Gubaidulina,1931—)是当代杰出的俄罗斯女作曲家,宗教信仰对她影响很大,她的作品通过不同音乐形态表现出"十字架"、"天使"、"圣咏"等象征宗教的符号。文章以古拜杜丽娜为四把大提琴创作的《Quaternion》(1996)为研究对象,从作品中微分音体系的运用、宗教符号的音乐形态设计、常规与非常规演奏法等作曲技法出发,来探讨古拜杜丽娜的音乐创作如何与其对立统一之哲学思想高度融合。
Sofia Gubaidulina is a Russian composer. Being a profoundly religious person, she has devel- oped a number of musical symbols to express her ideals, and her work expressed the religious symbols such as the cross, angel, and psalm through various of musical forms. The essay analyzed Gubaidulina' s Quaternion, for cello quartet (1996) with its usage of microtonal system, musical form design for the religious symbols, compositional technique broadens the conventional and unconventional performance possibilities, to explored how did Gubaidulina combine the music composition with her philosophical thinking of unity of opposites.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2010年第3期51-66,共16页
Huangzhong:Journal of Wuhan Conservatory of Music