1932年在汉口出版的韩国音乐史料：《〈圣学十图〉附礼乐比考》

The Liyue Bikao Appenduxed to The Ten Diagrams of Sage Learning,the Korean Historical Materials of Music Published in Hankou in 1932

20世纪30年代因韩国被日本侵占的原因,一些韩国文人来中国定居。武汉也是当时的韩国人独立运动的一个基地。《圣学十图》是朝鲜李湟进呈朝鲜宣祖的文章,搜集者李宁齐先生1932年在汉口出版了《〈圣学十图〉附礼乐比考》。出版的主要目的是当时的社会接受西方音乐文化以后越来越失传了传统的礼乐,因此出版了《〈圣学十图〉附礼乐比考》。另外,在附录中不仅比较中韩礼乐,并且收录了韩国的古乐谱和中国的文庙祭礼乐谱。这是近代最早的有关中韩音乐交流的史料。

There were numbers of Korean literati migrated to the China during 1930s while Japanese in- vader occupied Korea, and Wuhan was one of Korean Independence bases. The Ten Diagrams of Sage-Learning （1568） is an article by Korean Yi Hwang （1501-1570, often referred to by his pen name Toegye, and his courtesy name was Gyeongho） presented to King Seonjo （ruled in Korea between 1567-1608）. The collector Li Ningqi published the Liyue Bikao Appenduxed to The Ten Diagrams of Sage Learning in Hankou in 1932. The main purpose of the publication was for the society had lost the traditional Liyue step by step since West- ern music culture was received at that time. Furthermore, it collected the Korean ancient music book and Chi- nese ritual music in Confucian Temple besides comparison the Chinese Liyue with Korean one in the appendix. It is the original historical materials about the music exchange bewteen China and Korea.