摘要
作为社会主义新农村的一个真实写照,桃园村在现代多元文化的冲击下愈益呈现出"离散"型特征,与此同时又在"聚合"中形成了一种新乡村文化。和与世隔绝的古"桃源文化"不同的是,桃园村的新乡村文化展现了传统乡土文化在现代多元文化冲击之下形成的"形散而神聚"的特征,表明了"传统"在文化整合过程中的适应性和延续性。这种"传统"与"现代"的和谐从根本上反映的是人内心的和谐,因而,"乡风文明"建设的关键在于发挥农民的自觉性和主体性。
As a typical example of New Socialist Rural,Taoyuan is increasingly showing the feature of 'dispersion' affected by multiculturalism.At the same time,it 'aggregates' a new rural culture in the process of urban-rural interaction.Different from the isolated ancient 'Taoyuan culture',Taoyuan new rural culture demonstrates traditional rustic culture's feature of 'scattered in form but well-knit in sprit' under the impact of multiculturalism,and indicates the adaptability and continuation of the 'tradition' in the process of culture integration.The harmony of 'tradition' and 'modern' fundamentally reflects one's inner harmony,and thus making good use of farmers' consciousness and subjectivity is the key point to construct rural community culture.
出处
《中国农村观察》
CSSCI
北大核心
2010年第4期74-80,共7页
China Rural Survey
基金
2009年浙江省哲学社会科学规划项目"新农村建设中的制度创新机制研究--基于浙江60年经验的分析"(项目编号:09CGSH006YB)的研究成果
华中师范大学"百村十年观察"专项调研成果