摘要
"时序还原"是书法鉴赏中十分独特的审美现象,历代书论曾对其作过大量的经验描述,但是没有提出"时序还原"的概念。书法鉴赏中的时序还原是对书法时序展开过程的想象性"重构"。"时序还原"具有"内摹仿"本质,表现为三个主要特点,书法鉴赏时要进行"时序还原"也需要一些现实条件。
"The succession returning to original state" is a very unique esthetic phenomenon in calligraphy connoisseurship, and the calligraphy theories in ancient China made massive descriptions about this phenomenon, but never proposed "the succession returning to original state" concept. This article, based on the author' s calligraphy theory which "launches according to the succession", proposes the concept of "the succession returning to original state" for the first time. The article analyzes the three main features of "the succession returning to original state" and the in imitate essence of "the succession returning to original state". It further discusses the necessary conditions of carrying on "the succession returning to original state", namely the question of esthetic psychic distance.
出处
《烟台大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第3期68-72,共5页
Journal of Yantai University(Philosophy and Social Science Edition)
基金
教育部人文社科重点基地山东师范大学齐鲁文化研究中心项目"山东书法美学研究"(项目编号:QL08G06)的阶段性成果
关键词
书法审美
时序还原
独特性
calligraphy esthetics
succession returning to original state
unique features