中国电影中人道主义思潮的流变——兼论新生代电影中的人道主义

The Evolution of Humanitarianism in Chinese Films:Focusing on the New Generation Films

人道主义在其发展历史中实现了三个阶段的跨越,是以"人的发现"为核心的思想体系。由于中国现代社会的剧烈动荡,人道主义思潮在中国的传播和影响经历了一个相当曲折的发展过程,这一曲折性同样体现在电影创作中。人道主义思潮既是新生代电影创作观念的理论基石,又对其具体的表现内容与创作方法产生指导性作用。新生代的部分影片在一定程度上存在着对人道主义的误读、曲解,以致出现了伪人道,甚至反人道的创作倾向。

Humanitarianism,an ideological system with ＂the discovery of human existence＂as its core,has undergone three important stages.Due to the violent turbulences in China＇s modern society,the diffusion of humanitarianism in and its impact on China have gone through a long process full of twists and turns,which is also well reflected in the movie creation in China.Humanitarianism is not only a theoretical footstone for the new generation films but also constitutes the guidance for their specific contents and creation methods.However,humanitarianism is misinterpreted and even abused to some extent in some of the new generation films so that there is a kind of pseudo-humanitarianism or even anti-humanitarianism in the production of such films.