摘要
在小说中,原型象征往往是通过将现实的人事物象与原型意象彼此交融,或者将原型意象"置换变形",使它与现实人事物象巧妙叠合而生成的。这常常拓展出极其广阔的审美张力空间,最终促成了古今人事物象的有机一体。原型象征的创造,使作品与人类无限的记忆建立了深层的联系,小说就内蕴了比一般象征更加深广的审美意味。
In fiction,the blending of person, thing, physical image and antitype image or the displacement of antitype image will lead to antitype symbol. As a result, it will expand aesthetic tension space and result in organic combination of ancient and present person, thing and physical image. The creation of antitype symbol will establish a deep connection between works and human' s unlimited memory and have a richer and deeper aesthetic meaning than the common symbol.
出处
《武陵学刊》
2010年第4期82-88,共7页
Journal of Wuling
基金
国家社会科学基金项目"时空美学基本原理研究"(08XZX017
马正平教授主持)
关键词
原型象征
张力
审美空间
antitype symbol
tension
aesthetic space