新时期意识流小说与民族化的关系考辨

Discussion about the Relationship Between Consciousness Stream Novels and Nationalization in the New Era

新时期由于西方思潮的大量涌入,具有革新思想的意识流小说作家接受西方现代主义的文艺思潮和理论主张,在文体样式、艺术技巧上打上了西方意识流小说的烙印,这在一定程度上丰富了中国当代小说的思想意蕴和艺术成就,但从思想主题、反映内容上来看,更多地体现出作家现代化和民族化的努力。不仅如此,新时期作家对于西方现代派艺术技巧都存在着不同程度的整合和改造,凸显出一种"西体中用,以我为主"的民族化的努力。新时期意识流小说从最初的对西方意识流小说艺术技巧的借鉴模仿,发展到后来的对于民族文化心理、民族文化传统、社会政治批判和国民劣根性等问题的探寻和思索,体现了新时期作家强烈的民族意识和社会责任感。

Because of a large amount of western thoughts＇ swarming into China in the new era, the innovative novelists with consciousness stream thoughts have accepted western modernism literary thoughts and theories, as a result of which their literary styles and artistic skills are engraved with western consciousness stream. To some extent, this enriches the thoughts and artistic achievements of Chin＇a＇ s contemporary novels. However, this mainly manifests the novelists＇ efforts in modernization and nationalization from the perspective of thought themes and contents. Moreover, the novelists of the new era integrate and adjust the western modernism artistic skills to some extent, which highlights their efforts of nationalization principle of ＂learning from the west while keeping our mainstream status＂. In the new era, the consciousness stream novels＇ evolution from simulating western skills to pursuing and meditating national cultural psychology, national cultural tradition, social political criticism and whole nation＇ s inherent weakness manifests the novelists＇ strong national consciousness and social responsibility.