摘要
列梅舍夫开创了俄罗斯抒情男高音的先河。他坚持以气息为支撑点的歌唱理念;利用横膈膜的完美控制将声音做到了"高音低唱;低音高唱"的演唱技巧;充分将胸腔、口腔、鼻腔、头腔等共鸣腔体混合在一起,并极大限度的利用了这些发声腔体,使声音的总体共鸣达到了极限。准确地把握词句,充分地理解词意更使他对作品的表达,形象的塑造达到了近乎完美的诠释。
The great Russian tenor Lemeshev created a precedent for the Russian lyric tenor. He insisted on singing supported by breath, singing skill by using the diaphragm to achieve perfect control of the sound of "treble sings; bass singing", full integration of such resonant cavities as pleural cavity, oral cavity, nasal cavity and head cavity, and putting their integrated resonance to the extreme by making the biggest use possible of these cavities. And his accurate command of words and correct understanding of their meanings enable a nearly-perfect interpretation of song meanings and images.
出处
《唐山师范学院学报》
2010年第4期149-150,共2页
Journal of Tangshan Normal University