巫、性、美的统一——中国原始文明中女性美的价值取向

The Integration of Shaman,Sex and Beauty——Orientation of Values of Female's Beauty in Chinese Primitive Civiliztion

从中国现有的文献资料及考古发现来看,史前时期,人体雕像以女性居多,而且这些女体雕像大多被高高地供奉于神圣的殿堂,享受无限的敬仰与膜拜。其所共同呈现出的体态特征是原始祭祀文化的反映。雕像集巫、性、美于一身,形象逼真地展现出了原始初民对女性美的最初感知,这一状况在岩画中亦得到反映,不唯如此,岩画还朦胧地透露出原始初民对女性审美的悄然变化。

It is a noteworthy phenomenon repeatedly proved by various document literature and archeological discovery that female body sculpture,which in fact was the expression and embodiment of original sacrifice culture,had won sublime position in religious belief during the primitive era of Chinese history and therefore is in the majority in number. Those sculptures based on the perceptual cognition of female beauty are the integrative symbols of Shaman,sex and beauty,which is furthermore performed by rock painting. From female body sculptures to rock painting,we can clearly distinguish the primitive people＇s changes of aesthetic conception towards the female.