解读《所罗门之歌》中黑人属下的多重声音与身份策略

An Interpretation on the Subalterns' Voices and Identity Strategies in Song of Solomon

声音作为一个伟大的隐喻,支撑着在场和生命,已成为身份政治的重要战场。托尼.莫里森在《所罗门之歌》中塑造了吉他、派拉特、小麦肯三种不同美国黑人属下形象,分别代表了黑人属下在种族、性别、阶级语境中三种不同的声音。这三种声音表明了黑人属下的三种不同身份策略。莫里森指出,只有立足具有差异性的,即黑人性的声音才是有效的,如此建构的身份也才是真实的。

Voice,a metaphor for presence and self-realization,has become the symbol for political identity.The black subalterns in Toni Morrison＇s Song of Solomon voice their demands within racial,gender and class context.Different voices from the black subalterns demonstrate Morrison＇s serious exploration of the strategies of identities.