摘要
本文运用认知语言学的象似学说和空间合成理论,分别从《关雎》音韵分布与风格基调的对应、韵脚与章节划分的对应以及诗行语音结构与内容主旨的对应三方面探讨《关雎》音韵的语篇象似性,证明象似理论是分析诗歌语篇的有效途径之一。
The paper surveys the sound patterns of the Chinese ancient poem Guanju from the perspectives of Cognitive Iconicity and Space Blending Theory. Specifically, these theories have been applied to analyze the vowel distributions, rhymes and phonetic structures of all the stanzas of the poem. The findings prove that iconicity theory is an effective means in analyzing and interpreting poetic discourse.
出处
《中国外语》
CSSCI
2010年第4期35-40,共6页
Foreign Languages in China
关键词
象似
空间合成
音韵
语篇认知
iconicity
Space Blending Theory
rhyming scheme
textual cognition
