摘要
夏鲁寺目前所存44个主要建筑空间中有多处出现多闻子图像,不同建筑空间的多闻子像特征不尽相同。文章在实地考察的基础上,对上述壁画进行详尽描述,并对夏鲁寺多闻子图像的风格及源流作初步的探讨分析。
There are many images of rnam-tos-sras still preserved in the murals of Zhwa-lu monastery.The character of these images are varied in different chapels.Based on field research,this paper portrays these images thoroughly.Further more,a primary investigation on the style and origin of the image of rnam-tos-sras has been given.
出处
《西藏研究》
CSSCI
北大核心
2010年第3期64-72,共9页
Tibetan Studies
