摘要
很少有导演像章家瑞一样,对一个地方如此钟情。在他为数不多的5部作品中,4部在云南取景,并且其中的3部都展现了当地少数民族的民俗风情。分析《婼玛的十七岁》《花腰新娘》《红河》,探讨章家瑞是如何利用影像,从商业和文化的维度展现少数民族民俗的,以及这类影片的审美价值。
Few directors likes Yunnan,a place so much interest as Zhang Jia-rui,In four of his five film works,he finds a view in Yunnan for filming,and three of them have demonstrated the local minority ethic customs.Analysis of "The 17-year-old Ruoma","Bride of Huayao""Red River"explores how Zhang Jia-rui makes the use of images,from the dimensions of show business and cultural ethnic folklore,as well as the aesthetic value of such films.
出处
《内蒙古大学艺术学院学报》
2010年第2期80-84,共5页
Journal of Art College of Inner Mongolia University