中国革命题材民族歌剧唱段中女高音的演唱分析——以《党的女儿》和《白毛女》为例

Analysis of the Soprano Singing of China's national opera with the revolutionary theme——Take "The daughter of the Party" and "White-haired girl" as examples

我国民族歌剧艺术,从"五四"新文化运动到解放战争,在动荡的社会环境和艰苦的战争条件下走过了近三十年的历程。新中国成立后,我国革命题材民族歌剧创作达到了新的高潮。比较分析《白毛女》和《党的女儿》中主人公的女高音唱段,以探求演唱者表现艺术作品的情感与思想意义。

China＇s national opera,from the＂May 4th＂New Culture Movement to the War of Liberation in the turbulent social environment and the difficult conditions of war,has gone through the course of nearly three decades.Since the founding of New China,the revolutionary subject of China＇s National Opera has reached a new climax.Comparative analysis of the soprano aria in＂White-haired girl＂and ＂Daughter of the Party,＂intends to explore the artist＇s emotional performance art and thought.