论南朝乐府“吴声”的演唱形态

Discussion on Singing and Performing Pattern of "Wusheng"

依据文献记载及对歌辞内容的分析判断,本文认为南朝时的新型乐歌——"吴声"具有组曲联唱、单曲独唱及男女对唱等多种演唱形式。这些演唱形式的出现伴随着"吴声"从民间徒歌发展为艺术歌曲这一过程,与民间对歌风气的留存及其在上层社会、宫廷的传唱、表演有密切关系。

According to documents and words,the article maintains ＂Wusheng＂,which emerged in Dongjin dynasty and Danchao,had abundant musical performing patterns,including suite,single,antiphonal singing between two singers.These patterns became accompanying the course,which developed from the folk song to music with musical accompaniment,had the intimate relation with antiphonal singing mores and singing in the palace.