摘要
在文化复兴运动中,人们的行动在理论上可能存在两个极端。一个极端是完全的"主位(emic)化"行动,另一个则是文化仪式的表演。而在黑龙江宁安市伊兰岗展开的祭祀活动中,行为者既以主位也以客位的视角,同时审视自己的行为;其祭祀活动,试图排除机会主义的成分,成为既非传统与理性并列,亦非彻底理性化的,通往理性化的第三种状态。
In theory, two extremenesses of human action exist during cultural renaissance movement. One is total emic action, the other is performance of cultural ceremony. In the sacrifices to ancestors held in Yilangang of Ning'an city in Heilongjiang Province, doers inspect their own actions from both emic and etic's point of view. Being neither traditional, rational parataxis nor thoroughly rational but repining rational third situation, the ceremony tried to eliminate factors of opportunism.
出处
《满语研究》
2010年第1期87-90,共4页
Manchu Studies
基金
黑龙江教育厅海外学人科研资助项目(项目编号:1154H27)
黑龙江大学博士启动基金
关键词
满族文化
满族祭祀
文化复兴
家祭
Manchu culture
Manchu sacrifices to ancestors
Cultural Renaissance
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