摘要
湘西苗族女作家龙宁英用文学创作的方式,借助事象、物象和人物形象以理解、记录、阐释与表达苗民族审美及文化信息,对包括民族文化在内的湘西区域文化进行理性反思,在细腻的笔触和浪漫的情怀中充满了强烈的历史理性和社会理性,其创作具有较为鲜明的审美人类学诗学特征。从审美和历史的双重视角审视龙宁英的文学创作,在肯定其文学创作的审美意义的基础上,进一步探讨其文学创作的文化意义。
As a minority writer of Xiangxi, Long Ningying ultilised literary image to understand, record, interpret and express the cultural and aesthetic information of the Miao ethnic. To include the essence of the regional culture, rational reflection, she wrote many works with delicate and romantic. There were distinct characteristics of anthropological poetics in the creation of Long Ningying. To understand her works we should further explore and put empheses on its aesthetic and cultural significance, using the dual perspectives of aesthetic and history.
出处
《保定学院学报》
2010年第2期73-75,共3页
Journal of Baoding University
关键词
龙宁英
文化阐释
审美人类学
诗学
Long Ningying
cultural perspective
aesthetic anthropological poetics
poetry