摘要
在七八十年代的中国,一批年轻的先锋小说家登上中国文坛,特别是余华,他以血腥的暴力叙述、颠覆性的语言、令人绝望的意境和黑色幽默情节,挑战着读者的视觉和感觉机能。九十年代,余华由先锋向写实转变。这种转变并非人们所认为的先锋作家在中国当代遇到了写作困境和精神危机而转向而实现的自我救赎,而是在借鉴西方写作模式和传统精神而实现的写作方式的成熟转变。所以,纵观余华创作,外国作家、理论及写作方式对余华的影响是十分巨大的。
A batch of avant-garde novelists came to distinguished themselves in the Chinese literature over the 70s and 80s in china,especially Yu Hua.He challenged his reader visually and sensationally with bloody description of violence,subversive language,desperate artistic conception and plot of black humor.But there is a conversion of the avant-garde writing style to a realistic writing style over the 90s for redemption.This is,however,not for the reason well-accepted among most people that the avant-garde novelist encountered some difficult situations and spiritual crises during writing,but for the reason that he wanted to achieve the conversion of his writing style by taking the western writing style and traditional spirit for reference.So we may find Yu hua have been greatly influenced by foreign writers,theories and writing style from the works he created.
出处
《淮北职业技术学院学报》
2010年第4期78-80,共3页
Journal of Huaibei Vocational and Technical College
关键词
余华
川端康成
卡夫卡
暴力
温情
Yu hua
Kawabata Yasunari
Kafka
violence
tenderness