摘要
张艺谋在影坛呼风唤雨20多年,对于文学改编先后有三种截然不同的态度,而这三种态度使得其电影有着大相径庭的表现。从前期重视故事,到后期仰仗画面,张艺谋的艺术与商业之路是割裂的。其实,商业和艺术并不冲突,好看和内涵也不矛盾。失去了文学滋养的张艺谋,似乎沦为"赚钱机器",已经不会讲故事了。"后张艺谋时代"电影的所谓好看,仅限于视觉效果上。
Zhang Yimou has been a pioneer in film for twenty years,and he has three distinct attitudes to the literary adaptation.From the early paying attention to the story to late relying on screen,Zhang Yimou’s art and business world is fragmented.Business and art are not in conflict,excellent and content are not contradictory.Lost literary nourishment,Zhang Yimou seems to become a"money machine",and he doesn’t tell a good story."Post Zhang Yimou era",so-called good-looking film,is limited to the visual effect.
出处
《保定学院学报》
2010年第4期79-81,共3页
Journal of Baoding University
关键词
张艺谋
后张艺谋时代
电影
文学改编
Zhang Yimou
Post Zhang Yimou era
movie
literary adaptation