摘要
晚清时期京剧与其它剧种之间的互动主要有两种形式:一是由不同剧种的演员实行同班、同台演出或由一人而兼唱两种声腔;二是不同剧种之间互相移植剧目、改编剧本或彼此借腔借艺。正是基于这样的互动,以京剧为代表的地方戏才得以不断发展和壮大,并最终促进了晚清戏曲新高潮的形成。
It is believed that Beijing Opera mainly interacts with other local operas in two ways through a survey of their mutual interaction. Firstly, actors from Beijing Opera and other local operas would be performing on the same stage or two different operatic tunes would be sung by the same actor. Secondly, there exists the transplanting and adaptation of dramatic stories and the borrowing of other operatic tunes and performing arts. It is on the basis of such interactions that local opera represented by Beijing opera got substantial development and growth, which ultimately contributes to the formation of a new culmination of traditional opera in late Qing Dynasty.
出处
《广东技术师范学院学报》
2010年第8期77-82,共6页
Journal of Guangdong Polytechnic Normal University
基金
广东省哲学社会科学规划项目<晚清演剧史研究>(编号:06GR-03)的阶段性成果
关键词
晚清
京剧
其它剧种
互动
Late-qing Dynasty
Beijing Opera
other local operas
interaction