摘要
源于先秦道家的"虚静"论最初属于哲学认识论范畴,但它包含着极为丰富的审美思想,对我国古代美学产生了广泛而深远的影响。哲学范畴的"虚静"论至魏晋六朝时期被正式引入审美领域,经陆机、宗炳、刘勰等人富于成果的论述,发展为较为系统的美学理论。
The ＂Emptiness-and-Quietness＂ Theory, which rooted from Pre-Qin Taoism belonged to the category of philosophic preformation theory. However, it contains abundant aesthetic thoughts and generated extensive and far-reaching implications to our ancient aesthetics. This theory was inducted into aesthetic field in Wei-Jin dynasty and was developed into systemic aesthetic theory after the pregnant dissertation of Lu Ji, Zong Bing and Liu Xie.
出处
《中国文学研究》
CSSCI
北大核心
2010年第3期29-32,106,共5页
Research of Chinese Literature
关键词
虚静
审美心态
生成
Emptiness-and-Quietness, aesthetic mindset, creation
