摘要
施蛰存是中国现代派小说的拓荒者之一,但在他前卫面具的掩盖下却有着作为中国传统文化的继承者所体现的传统文人观,这在《石秀之恋》的人物塑造中得到典型体现。《石秀之恋》是弗洛伊德理念的经典文本。在文本的建构中,贞洁与放荡、惩戒与占有、美丽与邪恶、欲望与险恶构成双重反讽,从而形成艺术的张力。石秀的性力(力比多)带着正义的面具得以释放,在唯美表象下体现出畸形的性意识。施蛰存的《石秀之恋》体现着转型中的海派亦中亦西、亦新亦旧的文化形态,也是施蛰存市场策略的体现。
Shi Zhecun is one of pioneer of modernist fiction, but as inheritors of the traditional Chinese culture , under the mask of his avant-garde , his view about woman is in Chinese traditional man＇ s way. Shi Xiu ＇ s love is a typical work in express this idea. Shi Xiu ＇ s Love is a classic text of Freud ＇ s ideas. In the text construction, chastity and debauchery, disciplinary and possession; Beauty and evil, desire, and sinister construct a double irony, and it forms the art of tension, with the mask of jus- tice , Shi Xiu releases his libid. It manifestes abnormal sexual awareness in the aesthetic appearance. Shi Xiu＇ s Love embodies cultural patterns of the Shanghai-school that include east and west, new and old, and it also a marketing strategy of Shi Zhecun.
出处
《中国文学研究》
CSSCI
北大核心
2010年第3期73-77,共5页
Research of Chinese Literature
