摘要
江苏靖江做会讲经的仪式音乐最显著的特征,是具有程式及程式之外的活变双重特性。本文着力于以深描的笔触将该特征描述出来,以期更好地归纳与分析靖江做会讲经仪式中的音乐。
Throughout the music making during the scriptural reading ceremonies in Jing Jiang the most operant feature is its procedure and the changes outside of it.This article intends to describe the feature in details in order to analyze and categorize the music used in the ceremonies.
出处
《南京艺术学院学报（音乐与表演版）》
CSSCI
2010年第3期59-68,共10页
Journal of Nanjing Arts Institute:Music & Performance
基金
江苏省文化厅2006年度哲学社会科学基金指导项目"江苏省传统音乐文化遗产统计"(项目批准号:06SJD760002)
关键词
仪式音乐
程式
活变
ceremonial music,procedure,changes
