清末民初北京天桥的坤书馆

"Kun Shuguan" in Tianqiao District of Beijing in the Early Days of the Republic of China

民国初期,华北、东北地区鼓书女艺人进京献艺,在天桥地区创立坤书馆,她们在表演场所、表演方式、表演内容、演员类型等方面对传统大鼓书进行了根本性的调整改革,由此逐渐形成了一种独具特色的坤书馆现象。本文对坤书馆的演变过程进行了初步探讨,以期在社会转型视野下给予民国初期这一独具特色的文化现象一个恰当的定位与诠释,为北京曲艺史、社会史、文化史的研究提供学术参考。

In the early days of the Republic of China,some actresses from the north and northeast who specialized in Dagu arrived at Tianqiao district of Beijing.They set up Kun Shuguan and made a lot of fundamental adjustments and reformations about traditional Dagu,such as venues、performances、contents and actor types,and thus gradually formed a unique ＂Kun Shuguan＂ phenomenon.This paper makes a preliminary study on＂Kun Shuguan＂phenomenon in order to give it an appropriate interpretation in view of social transformation,which can be used as a reference to the research of Beijing art history,social history and cultural history.