摘要
合唱艺术是见证欧洲音乐发展变迁的活化石,又是研究西方美学范式确立和转型的直接或间接对象,她以表现时代理想的主题、充满表现力的声部进行、声乐与器乐的交融等独特的艺术风格映射出西方美学范式转型的本质。古典美学与浪漫美学是西方美学范式转型的历史进程中两个典型层面,古典美学范式中的合唱艺术建立在古典美学的基础之上,依附于宗教,重视理性的追求;而浪漫美学范式下的合唱艺术则更加注重自由与个性的张扬。
The art of chorus is not noly a living fossil of the development and changes of the European music,but a direct or indirect object of the study of the establishment and transformation of Western aesthetics paradigm.It mapped out the nature of the Western aesthetic paradigm shift with unique artistic styles such as the themes which expressed the ideal of the times,the expressive progression of the part,and the blending of vocal and instrumental music,etc.Classical and Romantic Aesthetics are two typical aspects in the historical processes of the paradigm shift of the Western aesthetics.The art of chorus in classical aesthetic paradigm is built on the foundation of classical aesthetics,attaching to religion,focusing on rational pursuit while the art of chorus in romantic aesthetic paradigm puts more emphasis on the freedom and individuality.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2010年第3期365-369,共5页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
美学范式
合唱
古典美学
浪漫美学
aesthetic paradigm
chorus
classical aesthetic
romantic aesthetics