2Morris Weitz, " The Role of Theory in Aesthetics", The Philosophy of Art : Readings Ancient and Modern, McGraw-Hill, 1995 ,pp. 183 - 192.
3转引自M·李普曼编《当代美学》,光明日报出版社1986年版,第365页.
4Maurice Mandelbaum, "Family Resemblances and Generalizations Concerning the Arts", The Philosophy of Art: Readings Ancient and Modern, McGraw-Hill, 1995 ,pp. 193 - 201.
5Maurice Mandelbaum, "Family Resemblances and Generalizations Concerning the Arts", The Philosophy of Art: Readings Ancient and Modern, McGraw-Hill, 1995 ,pp. 193 - 201.
6Arthur C. Danto, "The Artworld", The Philosophy of Art : Readings Ancient and Modern ; McGraw-Hill, 1995, pp. 202 - 212, p. 209, p. 210.
7George Dickie ,Art and Aesthetic, Comell University Press, 1974, p. 34.
8George Dickie, The Art Circle, Haven Publications, 1984, pp. 80 - 82.
9诺埃尔·卡罗尔编.《今日艺术理论》,殷曼楟、郑从容译,南京大学出版社,2010,第34页.
10Jerrold Levinson, "Defining Art Historically", The Philosophy of Art : Readings Ancient and Modern, McGraw-Hill, 1995, p. 235.
