文化互动中的身份建构——以三部蒙古族影片为考察对象

Identity Construction in Cultural Interaction:a Case Study of Three Mongolian Films

新世纪以来,由本族导演创作的蒙古族影片愈发彰显出强烈的族群身份意识,既有对本族文化的深切认同,也有面对全球化冲击的无奈、苦痛与惆怅。蒙古族导演的身份意识也显示出个体差异性,这种差异,既来自于渗透、移植、杂糅、互补的文化互动,又受制于导演生活和经历的多元背景。个体差异的凸显,是少数民族题材电影的生命力所在。蒙古族内部的多元影像叙事,正是少数民族题材电影趋向成熟的重要表现。

In the new century, the Mongolian films directed by Mongolian directors reflect a strong na tionality identity consciousness, which covers the profound understanding of Mongolian culture and th helplessness,misery and melancholy confronted with the challenge of globalization. The identity con sciousness of Mongolian directors differs individually,which originates from infiltration, transplant, mix ture and complementary cultural interaction,as well as the life experience and diversified backgrounds o the directors. The diversity is the vitality of films concerned with nationality themes. The multiplicity o perspectives in Mongolian films is a major reflection of the maturity of ethnic films.