论中西比较美术“影响论”的缺失

On the Defect of the "Influence Theory" from the Perspective of Comparative Study of Fine Arts between China and West

影响研究主要以放送者或影响者的视角研究对他者的美术影响。其基本话语是以主体者的身份研究主体者美术对他者美术的影响，在研究他者美术的过程中，强调主体者的影响。由于影响论研究的话语者在进行中西比较美术学的研究工作中，其话语立场往往忽视“他者”美术自身的发展逻辑形成的美术形态的事实，而把这种“事实”作为主体者的影响，或者任意夸大主体者对他者的影响，形成一种“中心主义”的话语立场。因而，“影响论”在中西比较美术学的研究中，带有明显的缺失，而导致研究结论的失效或不准确。

Influence Theory mainly studies, from the perspective of the sender or the influencer, the influence of art on others, and its basic concern is to study, in the role of main body, the main body＇ s influence on others＇ art with attached attention to the influence of the main body. Researchers who do their studies under the guidance of the influence theory tend to, in their comparative study of arts in China and West, omit ＂the other＇ s＂ artistic state derived from the development logic of art itself, thus taking it as the influence from the main body, or exaggerating the iniluence of the main body on the other, forming ＂a centralized＂ speaking stand. ＂Influence Theory＂ is therefore of obvious defect in the comparative study of arts in China and West, resulting in the ineffectiveness or inaccuracy in its researching conclusions.