摘要
娜塔莉.泽蒙.戴维斯是国际妇女史研究的拓荒者之一,她对生理性别和社会性别群体的强调、在妇女史研究中对女性与男性双重历史的关注,成为其他妇女史学家进一步发展社会性别理论的基础。本文以戴维斯的妇女史思想为出发点,以她的三本著作《近代早期法国的社会与文化》、《档案中的虚构》和《边缘妇女》为依据,从三个方面:男权制下的妇女形象、身处社会底层的妇女形象、从边缘走向中心的妇女形象来论述其有关妇女史与社会性别史的思想。
Natalie Zemon Davis is one of the pioneers in the study of international Women History.Her great contributions are laid on emphasizing the difference between the concepts of sex and gender and putting equal focus on the female and male history,which are the theoretic foundation of other historians who develop gender theory further.The paper presents her thought of women history and gender history based on her main works Society and Culture in Early Modern France,Fiction in the Archives and Women on the Margins from three aspects 'femal images under patriarchal control,female images from the lower classes,female images from margin to center'.It also provides some references for historiophoty research at home by exploring her historical thoughts and methods.
出处
《史学理论研究》
CSSCI
北大核心
2010年第3期27-37,共11页
Historiography Bimonthly
基金
北京林业大学人文社科专项计划资助
项目编号:200121052