论文学的生殖性与承继性变异——以《哈姆雷特》与《若森与吉尔德之死》为例

On literay productivity and heridity in light of death and probality

文章以文学典律及其影响为出发,从哲学或然率的角度,解析和诠释了英国籍捷克当代剧作家汤姆·斯托帕德的现代悲喜剧杰作《若森与吉尔德之死》,探讨了该剧与英国莎士比亚悲剧《哈姆雷特》的生殖性与承继性变异的关系,并从死亡姿态、死亡方式及其三段论等方面深入剖析了《若森与吉尔德之死》的方方面面,认为汤姆·斯托帕德的现代悲喜剧杰作《若森与吉尔德之死》是对莎士比亚古典悲剧《哈姆雷特》这一卓越想象艺术之作的戏剧性转换与荒诞性反思,并留下了从存在主义哲学范畴内进一步探讨戏剧死亡主题的历史持续性。

Theoretically based upon literary canons and consequences, attempts are made to explain and translate Tom Stoppard＇ s modern tragic - comedy Rosencrantz ＆ Guildenstern Are Dead philosophically, particularly in terms of death and proportion, and probability, exploring the relationship with Shakespeare＇ s tragedy Hamlet regarding both the way and the manner in which death occurs before coming to the conclusion that Tom Stoppard＇ s tragic - comedy Rosencrantz ＆ Guildenstern Are Dead is the most brilliant existential reflection of Shakespeare＇ s classical tragedy Hamlet, thus leavin~ ~reat vacancv for further study of this discourse.