风景、记忆与身份认同——论钱邦芑隐居他山

Landscape,Memory and Identity:A Research on the Exiled Qian Bang-qi

文章从"作为记忆的风景"与"作为文化表呈从而模塑个人身份认同感的风景"的角度开展文化风景研究。通过对明末流亡文人钱邦芑隐居贵州遵义市余庆县蒲村他山的个案考察,分析钱邦芑如何通过记忆的媒介连接过去和现在的风景,对风景行使命名、想像、挪用、再造、复制、书写和再现等权力,将江南家乡的园林风景移植到一个遥远的边陲之地,从而构成他表达个人身份认同感的特殊途径和对抗清朝政权的独特方式。

From the perspective of ＂landscape as memory＂ and ＂landscape as cultural representation to shape individual identity＂,the author chooses Qian Bangqi,an exiled intellectual in South China of the Late Ming Dynasty,who settled in Tashan,a village of Pucun County in Guizhou Province,as a case study of landscape research.Memory is connected with the landscape of Qian Bangqi＇s homeland and place of exile.Therefore,he made use of naming,imagination,appropriation,re-creation,replication,writing and representation to alter Pucun＇s landscape,turning a place of exile into a Southernstyle garden.Therefore,this became a special way to express his identity and lessened the degree of his identity crisis as well as to resist the Qing Dynasty.