摘要
在我国文学思想传统中,有工具论与重自我感受、自我发抒、回归文学自身两条线。如果以正德朝为界将有明一代划分为两个时间段落,那么前期是工具论占主导地位,后期则是重自我感受、自我发抒、回归文学自身占主导地位,其中促成主导角色地位转换的因素固然是多层面的,如社会思潮变化、经济发展、文学自身发展规律等,但若仅就政权运作层面来讲,除了有君主的行为导向外,手握重权当道官员的权力运作也是一个重要因素,此为明代政权集团不同权力阶层共同运作的结果。
In the history of Chinese literary theory, literature enacts the parts of tool and giving vent to one ' s feelings. Before Zhengde dynasty, the tool attribute reigns over literature realm; After this, giving vent to ones feelings does. This change is caused by many factors, and the operation of political power of the court is one of them, which contains actions of emperors and officials.
出处
《南华大学学报(社会科学版)》
2010年第4期100-104,共5页
Journal of University of South China(Social Science Edition)
基金
2010年浙江旅游职业学院科研课题项目资助(编号:2010YB09)
关键词
明代
政权运作
文学走向
Ming Dynasty
the operation of political power of the court
the trends of literatur