摘要
比较法是我国文学批评中一种古老的方法,它早在孔子对《诗经》的编排中就已经有所运用,此后在《文心雕龙》《诗品》等文论著作中都加以运用。而对于北宋这样一个诗学批评开始走向繁盛发达的时期,比较法的运用更是得到了充分的体现,无论是在诗力、诗风、诗意、诗人的比较上,还是对诗歌异同高下的比较上,都体现出纷繁复杂的情况,体现出我国诗学批评中所蕴涵的理性色彩。
The comparison is an ancient method of Chinese literary criticism. The comparison was used when Confucius edits The Book of Songs. And then it was used in some works , for example Wenxindiaolong, Shipin, and so on. The Song Dynasty is a well -developed period of poetic criticism ,when the comparison was not only used in ideological content,style,and writing ability of writers but also used in poetic characteristic and achievement. The comparison was fully applied in the Song Dynasty, and embodied vivid rational color contained in Chinese poetic criticism.
出处
《东北农业大学学报(社会科学版)》
2010年第4期82-85,共4页
Journal of Northeast Agricultural University:Social Science Edition
基金
黑龙江省教育厅人文社会科学项目"北宋诗学批评研究"(11542194)的阶段性成果
关键词
比较
视角
理性色彩
comparison, angle of view, rational color