《玉山雅集图》向《水西清兴图》题图模式演变蕴涵的诗学意义

The Poetic Significances of the Evolution in Model of Painting Ways from YuShan Graceful Assembly to Clean Water and Prosperity

《玉山雅集图》和《水西清兴图》都是玉山文人为记录其雅集唱和所作之画,又以"诗画同体"的方式存在。但两图在诗画关系上的"题图模式"却不同:一是一时一地的一次性完成,一是非一时一地的非一次性完成。这种演变既是玉山文人面对时局压力对唱和方式做出的"权变"的调整,也关涉着时局变迁下玉山文人的心态演变。不同的心态下,不同的创作环境中,两图上的题诗在表现内容、情感基调、审美风格上也大不相同。两图"题图模式"的演变,蕴涵了深刻而复杂的诗学意义。

YuShan Graceful Assembly and Clean Water and Prosperity are the drawings of poetic chants of YuShan literati,which exist in the way of＂the combination of poetics and painting＂.The two drawings have different models of painting in the relationship with poetics and drawings.The former completes at once on the same time in the same place,but the later opposes to this drawing.This evolution adapts the ways of chants to the pressure of current political situation,and relates to the changes in the mentality of YuShan literati in that case.The two drawings in model of painting have many differences in manifest contents,construe of emotion,and style of aesthetics.The evolution of two paintings embraces insight and complex poetic significances.