摘要
从象征的内涵、外延和功用三方面入手,对比研究爱默生和史蒂文斯的诗学理论,发现二者的象征理论存在契合。爱默生的象征宽泛而具体,史蒂文斯的象征简洁而抽象;前者兼顾第一和第二自然,后者直指第二自然,即想象世界;前者努力做一名虔诚的教徒,后者却公然宣称诗歌可以替代宗教;前者成就于倡导和阐述,后者建树于理论和创造;二者都着迷于象征,都关注能带给人类灵魂真、善、美的想象世界。
Centering on the connotation, denotation and function of symbols, this paper compares Emerson and Stevens' poetics. Emerson's symbols are all-inclusive and concrete, while Stevens' are concise and abstract; Emerson focuses on both Nature I and Nature II, while Stevens aims straight at Nature II, i. e. the imaginary world. Emerson tries to be a devout preacher, but Stevens openly asserts that religion can be replaced by poetry. The former achieves a lot in advocating symbols; the latter earns his reputation for his poetry of symbols. And both are obsessed with symbols, i. e. the imaginary world which brings us truth, goodness and beauty.
出处
《云南农业大学学报(社会科学版)》
2010年第4期103-106,共4页
Journal of Yunnan Agricultural University(Social Science)