摘要
对于新中国文学理论建构而言,具有权威性的话语资源,首先是毛泽东的文艺思想,其次是苏联文论。在有限的关于文艺问题的论著中,毛泽东不仅对许多文艺内部的具体问题缺乏学术性的论述与探讨,就是对马克思主义文艺理论的一些最基本的问题,也没有进行系统、深入的阐释。苏联文论承接的是以别林斯基、车尔尼雪夫斯基等人为代表的19世纪俄国文论传统,这一传统又与整个欧洲学术传统相衔接。虽然它也存在很多问题,但对许多具体的文艺问题,都有学理层面的思考与探索。20世纪50年代苏联文论开始"解冻",这一理论动态也能够迅速被介绍到中国并产生影响。建国初期,在中西方古典文论及西方现代主义文论失语的情况下,苏联文论成为国内理论工作者试图填补毛泽东文艺思想留下的理论空白、突破毛泽东文艺思想的理论局限,校正毛泽东文艺思想的理论偏颇时,唯一能够借用的话语资源。
The authoritative discourse resources for the construction of New China's literary theories are mainly Mao Zedong's thought of literature and art,then Soviet literary theories.Mao's treatises on literature and arts are limited in number and the consideration concerning many specific questions of literature and arts in these works was without academic argumentation;also there is no systematic interpretation of some basic points about Marxist theory of literature.Whereas Soviet literary theories inherited the tradition of Russian literary theories in the 19th Century,which was represented by Bellinsky,Chernychevsky and so on,and in line with the academic tradition in Europe.Despite its defections,the Soviet literary theories explored many specific questions about literature at the academic aspect.In the 1950's,the Soviet literary theories came to be "unfreezing".This theoretical trend was introduced into China quickly.In the early PRC,Soviet literary theories became the only discourse resources for Chinese literary theorists to fill up the theoretical gaps of Mao's literary thoughts,break its theoretical limitations and correct its theoretical errors under the situation of aphasia of both Chinese and western classical literary theories and western modernism literary theories.
出处
《南都学坛(南阳师范学院人文社会科学学报)》
2010年第5期57-61,共5页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
关键词
毛泽东文艺思想
苏联文论
内含
关系
Mao Zedong's thought of literature and art
Soviet literary theories
connotation
relationship