《文心雕龙》艺术构思论探微

The Artistic Conception of the Literary Mind and the Carving of Dragons

《文心雕龙》对艺术构思的论述包括想象论和意象论两部分,"神与物游"是刘勰对心物交融理论的明确表述,"神用象通"是对主体之情与客体之形象相融合构成艺术形象理论的精彩演绎,构成了艺术构思的全过程。在想象论部分,刘勰从学养、社会经验、心理状态等方面对艺术想象的营构进行了详细论述;在意象论中,刘勰从意象的生成条件、意象的生成方法、意象的特征三个方面对这一理论进行了阐释。

Discussion on the artistic conception of the literary mind and the carving of dragons contains two sections：the imagination theory and the imagery theory. In this book, the author Liu Xie expressed clearly the thoughts of the mixture between heart with object by the term ＂mind wanders with things＂, and the term that ＂the spirits operated, then image interpenetrated＂ deduced that the blending of the emotion and the object image was the critical elements of ar- tistic image. Both the term constitute the whole course of the artistic conception. In the imagination theory, the author detailedly discussed the constitution of the artistic imagination from a writer＇s scholastic accomplishment, social experience and mental state, etc. And in the imagery theory, Liu Xie carried on the explanation to the theory from three aspects of the image, that is image＇s production condition, production method, the characteristic and so on.