论冯乃超早期诗歌对魏尔伦诗歌音乐性的接受

On Feng Naichao's Acceptance in His Early Poems of Paul Verlaine' Poetic Musicality

中国现代诗人冯乃超的早期诗歌创作深受法国象征主义的影响,尤其是接受了魏尔伦提倡诗歌音乐性的主张。他的诗从诗歌的流动美,抛弃词语意义的朦胧美,主旋律与回旋韵的使用及诗歌中音与色的和谐交契四个方面与魏尔伦诗歌的音乐性有相似之处。冯乃超的诗在这一意义上表现出了中国新诗由摆脱旧体诗束缚的背弃,走向寻找传统与外来移植的契合点这一变化的倾向,在吸取传统与"拿来"之间寻求了平衡。

Feng Naichao, a modem Chinese poet, was deeply influenced by French Symbolism in his early poetry and accepted Paul Verlaine＇ s idea about poetic musicality. In the flowability of meaning and the lomography of abandoned signified and in using main melody and convolved rhythm and the harmonious sound and color, Feng Naichao＇ s poetry has similarities with Paul Verlaine＇ s. In this sense, Feng Naiehao＇ poems display the trend that the new-styled Chinese poems begin to get rid of the fetters of classic-styled poems and move toward finding harmony between tradition and foreign styles, pursuing balance of all the above.