对“写生”的再认识

A Restudy of"Paint from Life"

长期以来,写生一直作为练习基本功和为主题性绘画搜集素材的手段而存在,在写生中体现不了艺术家本体的存在。贾科梅蒂、阿里卡等画家,坚持"现象学式的看",用纯视觉的方式和质疑的目光审视物象,捕捉不断变化中的视觉感受并且追求精神的真实表述的绘画形式,打破了传统的视觉模式,将写生作为创作的基本方式,在写生中真实的呈现了画家对世界的认识和理解,真正阐释了写生的意义。

For a long time,paint from life exists as a method to practice basic skills and collect material for them paint,and cannot show the existence of ontology of artists.The painters like Alberto Giacometti,Arica insist phenomenological view and scan the objects with sheer vision and skeptical sight to catch the visional feeling in change and pursue the painting form of spiritual reality,which breaks away from the traditional visional mode.Paint from life,as a basic creative method,presents the artists＇recognition and understanding of the world,which expounds the significance of paint from life.