从当代艺术、环境美学到生活美学——从第18届世界美学大会观东西方美学新主潮

From Contemporary Art to Environmental Aesthetics to Life Aesthetics:New Mainstream of Oriental and Western Aesthetics Viewed from the 18th International Congress of Aesthetics

在"分析美学"占据世界美学主流长达半个世纪之后,在新旧世纪交替的时代,当代全球美学终于突破了仅聚焦于艺术的窠臼,开始转向了对于自然与生活的关注,从而在"当代艺术哲学"之后先后兴起了"环境美学"与"生活美学"的新潮。环境美学最初只是狭义的"自然美学",后来才实现了向"人类环境美学"的重要转变,生活美学最初来自对于"艺术界"的关注,并最终回归到广阔的生活世界来构建美学。如此看来,"当代艺术"、"环境"与"生活"的美学已经成为了全球美学发展的新潮与主潮,第18届国际美学大会也在延续着这种美学发展的最新趋势。随着"文化间性转向"在国际美学界的充分展开,不仅西方与西方之间,而且西方与西方、东方与东方之间的对话日益频繁,东西双方的美学在当代艺术、环境与生活这三个新方向上得以相互推动和共同发展。如今,随着当代艺术逐渐消解了自身与日常"生活"之间的边界,随着环境业已成为作为"生活"的环境,当代艺术哲学与环境美学都已经出现融入"生活美学"的历史大趋势,因为审美已经被当作了人类、环境与世界发展的"深层尺度"。

After the development of Analytical Aesthetics as only one main trend of aesthetics in the world in the second half of the 20th Century, contemporary global aesthetics not only focused on art, but also was turning to other two kinds of directions： one is Environmental Aesthetics, and another is Aesthetics of Everydaylife. On the one hand, the transformation of Environmental Aesthetics was shifting from the aesthetics of natural environments to the aesthetics of human environments; on the other hand, Aesthetics of Everydaylife originated from ＂artworld＂ and aimed for ＂lifeworld＂. Along with the ＂Inter-cultural turn＂ among world aesthetics, the interactions between eastern and western aesthetics play more and more important roles today. And contemporary art philosopher are interested in everdaylife aesthetics, at the same time, Environmental Aesthetics was combinated into Everyday Aesthetics, because most of aestheticians regard the aesthetic life as an deep measure for the developments of human, Environment and world.