摘要
绝大多数舞蹈作品都是以综合调度来表达主题的。本文结合独舞、双人舞、三人舞、群舞等不同形式中舞台调度的特点,对点、线、面、体等舞台综合调度形式进行分析,阐释舞台调度中的隐喻性表达及其所蕴含的审美文化。
The vast majority of dance works aim to express the theme by integrated scheduling. This paper combines the stage scheduling features of solo, duet, trio dance and group dance to give analysis to the point, line, surface, body and other integrated scheduling forms and interprets the metaphor expression and the implication of aesthetic culture.
出处
《吉林艺术学院学报》
2010年第3期41-46,共6页
Journal of Jilin University of Arts
关键词
综合调度
点
线
面
体
隐喻
integrated scheduling
point
line
surface
body
metaphor