1920年代:冯至与中德浪漫传统的关联

The Romantic Characteristics of the Modern Chinese Poet Feng Zhi in His Formative Years in the 1920s

冯至青年时代与德国浪漫传统的关联,一直受到研究者的普遍重视。本文试图进一步准确呈现上述关联的具体构成及其重要特质。在细致分析1920年代冯至生命历程以及他的大量诗歌与散文创作的基础上,本文认为,浪漫传统对早期冯至的影响,不仅体现在诗歌艺术层面,更对其精神气质的型塑具有重要作用。冯至与浪漫传统的联系,一方面与他对以唐诗宋词为代表的中国古典传统的自觉继承有关;另一方面,也与他面对现代性困境对德国浪漫派的批判性吸收有关。大量事实证明,冯至在精神上更接近诺瓦利斯与蒂克而非施莱格尔兄弟及克莱斯特等人,他更强调自然与精神的同一性这一浪漫美学的维度。

This paper purports to study the romantic characteristics of the modern Chinese poet and thinker Feng Zhi （1905-1993） in his formative years in the 1920s.By focusing on his relationships with both the Chinese and the German aesthetic traditions,the present paper tries to explain how Feng Zhi was influenced by those traditions and why he was an advocate of the principle of the unification of nature and spirit.Though confronting with almost the same perplexities of modernity,Feng Zhi was in many different ways closer to the German romantic writers Novalis and Tieck than to the Schlegel brothers and Kleist.