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试论艾略特现代主义话语权的几个建构模式

Three Aspects of Modernist Power Construct in T.S.Eliot's Poetic Discourse
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摘要 本文试论艾略特诗歌中现代主义话语权的三个重要建构因素:美学方面对古典范式与浪漫主义的传承容纳;现代主义诗歌话语权建立的政治经济学因素;主体话语在形式与欲望的矛盾中的建立过程。 This paper discusses three major aspects of the construct of the modernist power discourse in T.S.Eliot's poetry:1) Eliot's poetic adoption of classical formalism and his manipulation of romanticism; 2) The construct of a Modernist poetic discourse as a collective maneuver of political economy; 3) The Eliotic power discourse as a contrasting combination of the traditional intentionality for order and the modern immediacy of chaotic desire.
作者 韩金鹏
出处 《国外文学》 CSSCI 北大核心 2010年第3期55-63,共9页 Foreign Literatures
关键词 古典范式 浪漫主义 话语权 政治经济学 秩序 欲望 Classicism Romanticism poetic discourse political economy order desire
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  • 1Gregory S. Jay, T S. Eliot and the Poetics of Literary History ( Baton Rouge : Louisiana State University Press, 1983), p. 19.
  • 2John Xiros Cooper ed., T. S. Eliot's Orchestra: Critical Essays on Poetry and Music (Garland Publishing, Inc., 2000), pp. v-xix.
  • 3Frank Lentricchia, Modernist Quartet ( Cambridge : Cambridge University Press, 1994), p. 2.
  • 4Lyndall Gordon, T. S. Eliot: An Imperfect Life ( New York: W. W. Norton, 1998), p. 182, p. 98.
  • 5T. S. Eliot, "The Waste Land', The Complete Poems and Plays (London: Faber and Faber, 1969), p. 220, pp. 27-29, p. 30, p. 64.
  • 6T. S. Eliot, The Four Quartets ( New York: Harcourt, Brace and Company, 1943) , p. 39.
  • 7Alenka Zupaneic, The Shortest Shadow : Nietzsche's Philosophy of the Two (Cambridge, Massachusetts: MIT Press, 2003), pp. 81 -121.
  • 8George Bornstein, Transformations of Romanticism in Yeats, Eliot, and Stevens (Chicago: University of Chicago Press, 1976), p. 23.
  • 9David Rosen, Power, Plain English, and the Rise of Modern Poetry (New Haven, CT: Yale University Press, 2006), p. 3.
  • 10Jewel Spears Brooker, Mastery and Escape: T. S. Eliot and the Dialect of Modernism (Amherst: University of Massachusetts Press, 1994), pp. 50-54, pp. 72-74.

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