论阿尔图·兰波诗歌中的“未知地平线”

The Unknown Horizon in Arthur Rimbaud's Poems

深受波德莱尔美学思想的影响,阿尔图.兰波在诗歌创作中反复颂扬着自己对新奇和未知的"地平线"的企盼和向往,这对现代主义意义上的诗歌美学而言价值重大。一方面,对古希腊神话、圣经的传奇故事、阿拉伯世界浓郁的宗教文化的追溯折射出诗人对生命源头和文化底蕴的美学追求和对个性与自由的赞美和渴求;另一方面,兰波通过对逝去的城市和理想的缅怀批判了城市现代化过程中庸俗的物质意义上的现代主义诗歌美学。在勾勒心目中现代与古典的完美结合的城市图景之时,兰波又以具象化的物质世界、心灵化的精神世界、排列组合千奇百怪的词语世界等不同的层面冲击着读者的感官和心灵,沉迷于飘渺灵动的诗意空间之中,浑然忘我。

Profoundly influenced by Baudelaire＇ s aesthetic thought, Arthur Rimbaud, in his literary creation, repeatedly exalts his own affection and aspiration for the novel and unknown horizon, which means a great deal to poetic aesthetics in the sense of modernism. On the one hand, by retracing the ancient Greek myths, the tales of marvels in the Bible and the abundant religious and euhural Arabic tales, the poet is revealing his inner aesthetic pursuit of life origins and cultural roots, and his compliments and thirst for individuality and freedom. On the other hand, the reminiscence of the vanished metropolis and disappeared ideals, Rimbaud scores modernist poetic aesthetics in terms of vulgar materialism in the process of metropolitan modernization. In depicting his desirable city scenario of integrating modern and classical times, the poet further pounds readers＇ sensory organs and souls respectively through the specification of the physical world, the internalization of the mental world and the numerous grotesque permutation and combination of words and expressions, indulges and loses himself in aerial and agile poetic space.