摘要
中国现代小说里出现的女学生一直代表着青春、自由、解放、独立和进步,她们是令人羡慕、引人思索的知识分子,但现代小说文本里同时存在着对这一群体形象的拆解。从沈从文的《萧萧》、老舍的《月牙儿》和鲁迅的《肥皂》《高老夫子》中的乡下人、底层人、旧式人物的角度来看女学生,她们就变成怪物、废物、玩物。对比现代小说文本对女学生形象的树立与拆解,其中充满了陌生与悲哀。
Female students appearing in China's modern novels have always been reflecting the youth,freedom,liberation,independence and progress.They are admired,thought-provoking intellectuals.But there still exists the dismantlement of this group image in modern novel texts.From the viewpoint of countryman,the bottom people,and the old-fashioned people described in Shen Cong-wen's "Ringing", Lao She's "Crescent Moon" and Lu Xun's "Soap" and "Gao Master",female student became a monster,a waste,or a plaything.Compared with the establishment and the dismantlement of female students' image in modern novel texts,it is full of strange and sad.
出处
《大连海事大学学报(社会科学版)》
2010年第4期126-128,共3页
Journal of Dalian Maritime University(Social Science Edition)
基金
大连民族学院青年基金资助项目(2008A409)
关键词
现代小说文本
女学生
怪物
废物
玩物
modern novel text
female students
monster
waste
plaything